This post is Part 2 of a 4-part series. Read Part 1 – Read Part 2 – Read Part 3 – Read Part 4

I’ve had many chances by now to witness the phenomenon of the nervous bride. I always imagined the nervousness came from the public nature of the ceremony, from knowing how many people will be watching her walk down the aisle, speak her vows, manage her dress/veil/shoes/hair/makeup/jewelry situation. That’s what I’d be nervous about, anyway. But what if there are no guests? Does a bride still get nervous before the wedding?

If Jill is any indication of what brides do, then the answer is definitely yes. Despite the fact that there were only four people watching her get married, despite her high level of comfort with all of those people, Jill was quite jittery before the ceremony. So jittery that Jill G. (the stylist) and I had to coax her out of the door towards the altar, where Chase was waiting patiently. He, of course, knew exactly how Jill would react to the walk down the aisle, and had the perfect encouraging smile on his face to draw her to where he stood under the canopy. By the time she got there, Jill was confident and laughing.

Why the nerves? Without firsthand experience, I can’t say for sure, but I think it might be that whole making-a-lifetime-commitment thing, guests or no guests. That’s a very big deal even when it’s not done in front of a crowd. Or maybe it’s the feeling that comes from suddenly realizing just how far the current of love has carried you. All the way to this moment, to these promises, to a point you didn’t think of reaching when you were first swept off of your feet by that wave.

It’s a very solemn and serious thing, this matrimony stuff, which made it extra funny when the ring got dropped before the ceremony could even start, and everyone under the canopy had to get down on the ground to search for it under the flower petals.

The vows for this ceremony were sweet, written by Jill and Chase themselves, and they integrated beautifully with the words of the officiant, Dr. Carrell Zaehn. You can find out more about Dr. Carrell here. The vows describe their love better than I ever could, and I was touched as I watched them say the words to each other from my vantage point under the canopy, a mere three feet away from them. It’s rare to have an opportunity to shoot a bride and groom at such close range. Patrick shot from the balcony that looked over the ceremony garden. Such opportunities are less rare for him. Give that guy a hill or a balcony or a rickety wooden thing to stand on while he takes pictures, and he’s right at home.

And now it’s time to let the photos tell the story. Tune in tomorrow for Part 3! For more about Pacific Oaks Vineyard Estate, click here.

This post is Part 1 of a 4-part series. Read Part 1 – Read Part 2 – Read Part 3 – Read Part 4

Welcome to 2010! Happy New Year! (Yeah, I know it’s already February, but at least our first post of the year is in time for the Chinese New Year, right?) Things have been busy in Red Bat World. Photos have been processed, couples have been bonded in matrimony, various events have been thoroughly documented, terrifyingly large prints have been made for a bridal expo. Vast quantities of fun and work have occurred in approximately equal amounts.

Let’s go back to 2009, to the day that Jill and Chase got married. Some of you already know about this: Jill and Chase wanted a wedding with no guests, and they wanted it to be in Santa Cruz. That’s right, no guests at all! Just the officiant, the photographers, and the stylist. Before the wedding day, they drove from their home near Los Angeles several times to pick the perfect location, line up all the details, and of course, have a Red Bat engagement session. To read about (and see photos of) their engagement session, click here.

We knew that photographing a wedding with no guests would be an unusual experience. No crowd to infiltrate, no list of people to follow and try to capture without being obnoxious. What would this day be like, we wondered? What would our future be… No, wait, those are lyrics from The Sound of Music. Oops! (That happens to me sometimes.) Back to the subject at hand.

Of course it wasn’t really true that there were no guests, because WE were the guests, along with the highly talented stylist, Jill G. By this point in our relationship with Jill and Chase, we considered them to be good friends, so it felt quite natural to attend their wedding. In fact, the whole idea seemed totally normal by the time the day arrived, just part of the love story that is Jill and Chase together. It was a little bit like a wedding-themed photoshoot, but it was as serious as any other wedding. It was a day of solemn ceremonies, but it was also casual and full of jokes.

And because there were no guests, we were able to focus completely on the bride and groom and hundreds of details we wouldn’t have time to capture at a regular wedding.

This post has some of our favorite getting ready shots. For Chase, getting ready meant arriving at the venue before Jill and putting together a canopy he’d made especially for their ceremony. Chase is quite handy with a blowtorch. For Jill, getting ready meant achieving total perfection in hair and makeup, and boy was it worth it: there was absolutely no retouching required on her photos. Patrick followed Chase and watched him construct the canopy, while I hung around the two Jills (Jill the bride and Jill G. the stylist) and captured the process of making the bride even more beautiful than she usually is.

In case you’re wondering, Jill’s getting-ready, as well as the reception, happened at the Scotts Valley Hilton. The wedding itself took place at Pacific Oaks Vineyard Estate.

There are a lot of photos in this post, but if all has gone as I planned, they’ve all finished loading now that you’ve reached the end of the words. Enjoy, and make sure you look for photos of the Jill and Chase ceremony and reception in posts to come…

Remember the baby we took pictures of in this post from a year ago?

Well, now she can walk! And point! And make animal noises! My, how time flies.

This year’s Sadie holiday photo session took place at Wilder Ranch State Park, where there were at least two other photoshoots happening with other photographers, one of which involved a whole family doing a line dance in the doorway of a barn. (I wonder if we’ll ever get a family to dance for us at a shoot. Seems like an great idea, now that I really think of it.)

This year, instead of dressing in a Santa-themed costume, Sadie went for a more rustic-chic look. She was, as usual, adorable. In fact, we agreed that Sadie is steadily making the transition to outright beautiful. She loves Wilder Ranch, especially the hay and the farm machinery. And the bikes she found in a meadow. And the dirt, and the plants, and the goats and the chickens. We just followed her around and watched her enjoy herself.

Below is a movie of some of our favorite photos from that afternoon. The soundtrack is by Land of the Loops. This movie file is larger than last year’s, so it may need a bit of extra time to load.

At the end of the show, you can see Sadie crawling rapidly away in terror, in response to a sheep noise that was louder than she expected. Poor Sadie burst into tears at that point, and thus our shoot was concluded. It was one of those times when a toddler is crying and the adults are trying not to laugh. Aw, Sadie, we’re sorry you got upset, but that was pretty funny.

I’ve got more stuff to post from 2009, but it will have to wait until 2010. Anyway, Sadie photos seem like a good way to end the year. Enjoy the show, and Happy New Year!

This post is part 3 of a 3-part series. Read part 1 – Read part 2 - Read part 3

This fabulous couple’s wedding reception was held at 515 in Santa Cruz. Talk about a challenge for these photographers! It was dark in there. I couldn’t have gotten the shots I did without the Lightscoop, a small, inexpensive piece of equipment that made it possible to shoot in those dim rooms without the awful results that happen with forward-facing flash.

The newlyweds treated us to an hauntingly sweet duet, with Peter playing the guitar and both of them singing. They claimed that this duet would replace their first dance, but then they gave us a sort of first dance anyway, and everyone was utterly charmed by them for the hundredth time that day. Here are 32 (!!) photos of the first evening of their married lives.

As a special bonus, I’ve included another behind-the-scenes Red Bat shot, about halfway down in this post. It’s Patrick, helping to test the lighting in the area where we expected the first dance to be. By dancing with an invisible partner. Because at Red Bat Photography, we know how to use our imaginations.

Hooray for Crystal and Peter!!