I have a confession to make. Until a few weeks ago, I’d never visited an aquarium. I don’t know why. I’m not afraid of water. Or fish. Star Trek IV (the one with the whales) is my favorite Star Trek movie. I think dolphins are swell. I even lived within 30 miles of the Long Beach Aquarium for 20 years and yet I did not hear the siren call of fish in tanks. Then I visited the California Academy of Sciences Natural History Museum in San Francisco.

Let me just tell you – the place is SUPER NEAT. There are aquariums, there’s a planetarium, there’s even a little rain forest in an egg. And the whole thing is tucked inside Golden Gate Park, which is home to a ton of other fun stuff to do.

Naturally, I took my camera. Rebecca and Joye were using two of the three Red Bat lenses on their pregnancy shoot, so I took what I like to call “The Drainpipe”. Let me talk about The Drainpipe for a moment. It’s a 70-200mm lens with a minimal focal distance (how far you have to be from your subject for the lens to focus) of about 5 feet, it weighs 3 pounds, and it’s painted white. It’s a beast, and I love it. It hardly ever leaves my camera. The reason I bring this up is because I wasn’t sure how well that lens would perform in a dimly lit, crowded place.

The answer: AMAZINGLY. Yes, I had to stand pretty far back from the glass to get the fish shots below. Yes, it was sometimes difficult for me to shoot with all the people. But that lens has a bit of magic in it…maybe it’s the length, or the whiteness, or something, but when people see it, they tend to get out of the way. They don’t really see me, but they RESPECT the lens. It’s kind of an odd phenomenon to watch. Here’s the lens, by the way (this was taken by Rebecca, who was taking a picture of me while I was taking a picture of Laurie King):

Anyway, the point is that I got some great shots, I’m now sold on aquariums, and you should visit the California Academy of Sciences Natural History Museum if you get the chance.

I was trawling through the Red Bat archives, looking for interesting shots for our portfolio, when I happened to find Patrick’s Proof Bar sets from 2007. He visited the Santa Ana nightspot several times in May and July and got pictures of people dancing to beats laid down by DJ DAUS, aka his friend Darius. This two-minute slideshow uses excerpts from a DAUS track and photos by Patrick, and proves that it’s possible to get great shots in a dark nightclub.

DAUS is the hottie in the Pink Floyd t-shirt. His tracks can be found at www.daustek.com.

My friend Peter took me to see some bands play at Retox Lounge in San Francisco. The act we cared about most was Peter’s friend Kevin, aka Sulky Darky. Here’s a slideshow to tell you all about it. The handsome fellow at the very end is Kevin. Yay Kevin!

It’s got a soundtrack, so pump up your volume.

Team Red Bat trekked to San Francisco last week to see Birdmonster play at Cafe du Nord. What a great show that was. First we saw Eulogies, and though I didn’t know who they were before then, I’m listening to them now.

Then of course it was Birdmonster and the fans went wild and the band jumped around and played and generally worked very well together, which seemed like an appropriate kind of energy for this new photography partnership we’ve got going here.

Here are some of our photos from the show. The charming man in the last photo is Justin, who is internet-friends with Patrick and who writes hilariously for Birdmonster in their blog. He and his bandmates may be the friendliest, most unpretentious musicians we’ve ever met. We like that.