Red Bat Photography
Folksonomy > landscapes
November 7th, 2010

Hey there, Red Bat fans!  Patrick here.  Remember me?  It’s been a while since I’ve posted, because hey, Rebecca does a fantastic job with these blog posts.  Frankly, it’s kind of intimidating.  But here I am, because I have some photos I’d like to share with you.  Shocking, right?  Photos on a photo blog?  Maybe I should share some recipes, just to mix things up a bit.  Like my recipe for pickled twinkies, or badger flambe.  Ok, ok – that wouldn’t be fair.  Or (let’s face it) tasty.

Allow me to get serious for a moment. It’s been a pretty long year, and it’s been full of wedding photography.  Which is GREAT.  I like weddings.  I like tracking the journey of the couple through that day, down the tunnel to the light at the end of the aisle.  I kind of see it like one of those Family Circle cartoons with the dotted lines running all over the place and finally converging in one location.  I like the food (oh, the food), and the dancing is almost always hilariously awesome.  It’s a lot of work, but it’s rewarding work.

But it’s nice to have a change of pace. It’s nice to take photos of something that isn’t quite as hectic and emotional and, well, FRAUGHT.  And it’s nice to take photos of beautiful people wrapped in curtains with kelp in their hair at the beach at sunset right before the rain.

This is Claire.  Remember Claire?  She has a new secret venture, and these photos are part of that Venture That Must Not Yet Be Named.  She and Sushila (remember Sushila?) got Claire all dolled up as a sea nymph/naiad/nereid, complete with kelp bulbs in her hair, and I have to say, I think the results are pretty amazing.

The three of us piled into my car and drove up Highway 1 to the agreed-upon-location, but when we got there, it was pretty overcast and threatening rain.  So we headed south again AT SPEED to stay ahead of the coming storm.  We found a beach that looked perfect, scrambled out, and had ourselves a shoot.  We had a great time, and while it was freezing (it’s HARD being a model) I tried to keep everyone nice and toasty with some terrible, TERRIBLE jokes.

Sushila handled makeup, curtain arrangement, blanket wrapping, hair arrangement and production assistance.  I took care of the lensing, the shouting of “WORK IT, WORK IT”, the aforementioned jokes, and also did some blanket fetching and (if I recall correctly) shoe fetching.  Claire handled beauty, poise, grace under pressure, wind and cold, and even threw a few chuckles my way through chattering teeth.  Thanks, Claire!

I think everything turned out fantastic.  Have a look for yourself:

The Nereid(1820)
Alexander Pushkin

Among the glaucous waves that kiss gold Tauris’ beaches
I saw a Nereid, as dawn flushed heaven’s reaches.
I barely dared to breathe, hid in the olive trees,
While the young demigoddess rose above the seas;
Her young, her swan-white breast above the waters lifting,
From her soft hair she wrung the foam in garlands drifting.

February 15th, 2010

This post is Part 2 of a 4-part series. Read Part 1 – Read Part 2 – Read Part 3Read Part 4

I’ve had many chances by now to witness the phenomenon of the nervous bride. I always imagined the nervousness came from the public nature of the ceremony, from knowing how many people will be watching her walk down the aisle, speak her vows, manage her dress/veil/shoes/hair/makeup/jewelry situation. That’s what I’d be nervous about, anyway. But what if there are no guests? Does a bride still get nervous before the wedding?

If Jill is any indication of what brides do, then the answer is definitely yes. Despite the fact that there were only four people watching her get married, despite her high level of comfort with all of those people, Jill was quite jittery before the ceremony. So jittery that Jill G. (the stylist) and I had to coax her out of the door towards the altar, where Chase was waiting patiently. He, of course, knew exactly how Jill would react to the walk down the aisle, and had the perfect encouraging smile on his face to draw her to where he stood under the canopy. By the time she got there, Jill was confident and laughing.

Why the nerves? Without firsthand experience, I can’t say for sure, but I think it might be that whole making-a-lifetime-commitment thing, guests or no guests. That’s a very big deal even when it’s not done in front of a crowd. Or maybe it’s the feeling that comes from suddenly realizing just how far the current of love has carried you. All the way to this moment, to these promises, to a point you didn’t think of reaching when you were first swept off of your feet by that wave.

It’s a very solemn and serious thing, this matrimony stuff, which made it extra funny when the ring got dropped before the ceremony could even start, and everyone under the canopy had to get down on the ground to search for it under the flower petals.

The vows for this ceremony were sweet, written by Jill and Chase themselves, and they integrated beautifully with the words of the officiant, Dr. Carrell Zaehn. You can find out more about Dr. Carrell here. The vows describe their love better than I ever could, and I was touched as I watched them say the words to each other from my vantage point under the canopy, a mere three feet away from them. It’s rare to have an opportunity to shoot a bride and groom at such close range. Patrick shot from the balcony that looked over the ceremony garden. Such opportunities are less rare for him. Give that guy a hill or a balcony or a rickety wooden thing to stand on while he takes pictures, and he’s right at home.

And now it’s time to let the photos tell the story. Tune in tomorrow for Part 3! For more about Pacific Oaks Vineyard Estate, click here.