I knew that the first annual Santa Cruz NEXT award ceremony, aka the NEXTies, would be a big, fun party. But I wasn’t expecting the venue to be quite so fabulously decked out. Walking into that room felt like boarding some kind of super-hip spaceship, and I was astounded by what they were able to create from blank industrial space. I don’t think my photos really do it justice, but you’ll get the idea. All of this amazing design work was done by Nielsen Architects, a talented Santa Cruz group that includes Timerie Gordon, who blogged about preparing for this event with no budget and a lot of hard labor. The light fixtures were made from wine barrels and were constructed by artist Maurice Connolly. And the projected light installations were crafted by people from Digital Arts and New Media (DANM) at UCSC.

I shot this event alone, as Patrick was working late hours preparing for our appearance at the rapidly approaching Santa Cruz Bridal Expo. Usually at an event like this, one of us will use a flash and the other one will shoot with available light only. As the sole photographer, I came prepared to switch back and forth between those two modes of shooting. But when I saw how creative the venue lighting was, and how successfully the right mood had been conjured by the designers, I couldn’t bear to ruin it with bright flashes. I used available light only for most of the night, which meant shooting at maximum ISO and letting the shutter drag for the wide-angle shots.

Since that night, I’ve learned a few new techniques that will allow me to use a flash without destroying the ambiance of a room. I’m still working on those techniques. I have a very strong natural inclination towards sticking with available light because I love the sense of reality it lends to a photograph. But there were plenty of things I couldn’t get good photos of with the light that was there, such as the delicious food offered by various local gourmet vendors. (Of which I only sampled a tiny bit, because of the danger of leaving greasy fingerprints on my lens. However, I couldn’t turn down the dessert that involved bacon tucked into strawberries.)

The award ceremony itself was easier to shoot because the winners were on stage, under spotlights. The winners (click their names to view their sites): Marina Sousa, Reyna Ruiz, Enrico Ramirez-Ruiz, and Danny Keith. If you want to read more about who they are and why they won, this Good Times article has great profiles and photos of the four winners. The ceremony featured video profiles of the winners created by SoWat TV, and you can view those videos in this Santa Cruz NEXT blog post.

A band called Persephone’s Bees took over after the ceremony, and they rocked. I had to leave during the break between their sets, to go home and get some sleep before the next few days of Bridal Expo prep. But what I saw and heard of Persephone’s Bees was impressive and the party seemed to be just getting started when I walked out the door.

A belated congratulations to everyone who was a part of creating this event!

On a side note, no party is really ever complete without Jeffrey Kongslie, which is why he appears at least three times in the photos below.

This post is Part 4 of a 4-part series. Read Part 1 – Read Part 2 – Read Part 3 – Read Part 4

After hanging out at Pacific Oaks for a while, wedding cake was on everyone’s mind, especially the bride’s. It was time to hop into the limo and go back to the reception site, aka their hotel room. The wedding cake was a vegan delight from local vegan supplier Black China Bakery. As soon as the cake had been cut and shoved playfully into the appropriate mouths, Jill declared the photographers and the stylist to be officially off the clock.

Of course, we didn’t want to stop taking pictures. It’s hard to stop clicking when things are still happening! Jill was fairly strict about this though, so we don’t have as many photos to show from the last part of the day. She wanted to make sure we ate enough cake, and later, enough tasty vegan food at Malabar. The wedding dinner was enormous. We lost count of the courses, we were brought so many. At last we were able to relax and chat with Jill and Chase, and with Jill G. the stylist, who took out her own camera to show us photos featuring her incredible horror-film-style makeup skills. Have I said that Jill G. is awesome? If so, I must say it again. Jill G. is awesome.

As we ate ourselves into a coma, we finally heard the whole story of how Jill and Chase got together. This information is usually elicited long before the wedding, but what with one thing and another, we never got around to interrogating them about this. The tale was worth waiting for, and one befitting these two. It was full of secret longing, and fate, and explosions, and astroturf, and it could only end with the words happily ever after.

Thank you, Jill and Chase! Come back to Santa Cruz soon for another Malabar dinner, a walk in the woods, maybe a vegan donut or two…

This post is part 3 of a 3-part series. Read part 1 – Read part 2 - Read part 3

This fabulous couple’s wedding reception was held at 515 in Santa Cruz. Talk about a challenge for these photographers! It was dark in there. I couldn’t have gotten the shots I did without the Lightscoop, a small, inexpensive piece of equipment that made it possible to shoot in those dim rooms without the awful results that happen with forward-facing flash.

The newlyweds treated us to an hauntingly sweet duet, with Peter playing the guitar and both of them singing. They claimed that this duet would replace their first dance, but then they gave us a sort of first dance anyway, and everyone was utterly charmed by them for the hundredth time that day. Here are 32 (!!) photos of the first evening of their married lives.

As a special bonus, I’ve included another behind-the-scenes Red Bat shot, about halfway down in this post. It’s Patrick, helping to test the lighting in the area where we expected the first dance to be. By dancing with an invisible partner. Because at Red Bat Photography, we know how to use our imaginations.

Hooray for Crystal and Peter!!

This post is part 2 of a 3-part series. Read part 1 – Read part 2 – Read part 3

While this huge batch of photos is loading, let’s have a few more words from Pablo Neruda.

___________

Take bread away from me, if you wish,
take air away, but
do not take from me your laughter.

Do not take away the rose,
the lance flower that you pluck,
the water that suddenly
bursts forth in joy,
the sudden wave
of silver born in you.

My struggle is harsh and I come back
with eyes tired
at times from having seen
the unchanging earth,
but when your laughter enters
it rises to the sky seeking me
and it opens for me all
the doors of life.

My love, in the darkest
hour your laughter
opens, and if suddenly
you see my blood staining
the stones of the street,
laugh, because your laughter
will be for my hands
like a fresh sword.

Next to the sea in the autumn,
your laughter must raise
its foamy cascade,
and in the spring, love,
I want your laughter like
the flower I was waiting for,
the blue flower, the rose
of my echoing country.

Laugh at the night,
at the day, at the moon,
laugh at the twisted
streets of the island,
laugh at this clumsy
boy who loves you,
but when I open
my eyes and close them,
when my steps go,
when my steps return,
deny me bread, air,
light, spring,
but never your laughter
for I would die.